Cadenza – One of Edinburgh’s leading amateur choirs

Cadenza at the Fringe 2019

Cadenza is delighted to be performing in the Edinburgh Festival Fringe again this year – we’ve been a consistent feature at the world’s largest arts festival for over two decades. Following five sell-out concerts, Cadenza is delighted to be returning to the stunning surroundings of Greyfriars Kirk for another exciting programme of choral music, performing Puccini’s magnificent Messa di Gloria alongside Haydn’s Te Deum and Insanae et Vanae Curae and a Scottish première performance of Janet Wheeler’s Alleluia. Tickets – priced £15, £13 (concesssions) and £4 (children) are available now from choir members or via the Fringe Box Office.

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Thursday 27 June 2019

Another £2000+ raised for charity

Cadenza performs concerts on behalf of charities as part of our choir year. These typically take place in Spring, and allow us to show off a lighter side of our repertoire while raising funds for deserving causes. 2019 was no exception, and across two concerts – one in Edinburgh, the other in Athelstaneford in East Lothian – we raised over £2000 split across four separate charities. If you’d like Cadenza to make a real impact to your fundraising, please get in touch! Read more »

Saturday 15 June 2019

“An excellent performance”

At exactly 6.15pm yesterday (Monday 17th), John Brunning introduced the now annual Classic FM/Making Music Christmas collaboration to showcase “the most talented amateur musicians” in the UK. If you missed the live broadcast, you can catch up using the Classic FM player (we’re on about 1hr 11mins in) – but be quick, as it is only around for seven days!

From a “torrent of entries” this year, Making Music had selected an initial long list of 10, then narrowed it down to the final five, one of whom would be featured at 6.15pm every evening this week.

We had chosen, as our submission to Making Music, Kenneth Leighton’s beautiful and haunting arrangement of the 16th century “Coventry Carol”. It is a lullaby sung by the mothers of ‘doomed’ children, and was traditionally performed in Coventry as part of a mystery play called “The Pageant of the Shearmen and Tailors”, depicting the story of Herod’s massacre of the innocents. Brunning described our performance as “excellent”.

We won’t know till the end of the week if there are any other ensembles from Scotland, but we have at least the satisfaction of knowing that Scotland was represented again – and “excellently”. We were also delighted that Brunning didn’t forget to namecheck our two splendid soloists.

Tuesday 18 December 2018